Shots

Storyboard

In the presentation i'm going to talk about shots, and other ideas we've brainstormed so far.

- Extreme close up {of the protagonist's eyes}
- Point of view shot {of the computer/the conversation}
- Birds eye view {of the male character on the computer, maybe not his whole identity, maybe just the hands}

We're thinking of using a range of shots to create suspense and a sense of the characters enigmatic persona.

CREDITS;

New line cinema...

Directed by Dayo Adesina

Produced by Rosie Dwyer

Co- producer - Tiffany Vickery

Film Editor - Dayo Adesina

Production Design - Minh Dinh

Music composed by - Patrick James Slattery


Conflict of interest:
We decided against filming in Camden Town and Central London. It would be more efficient and less time-consuming if we film in the nearby park of Greenwich, and the train station.
&
The shots of the computer screen, we thought could be problematic for filming. We want it find out how to make it look semi-professional. It will ruin the sequence if the camera doesn't film well.